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Great sounding drums tracks to use in your compositions right out of the box. Drummer Greg Morrow has a feel that you have to hear to believe. These tracks range from down and dirty slow grinding rock to trashing alt/metal and everything in between. Recorded at Hum Depot on a nice old Neve console (like the one pictured below). The room mics were Coles, and placed approx 5 feet from the kit.
- 16 bit WAV files that can be used in virtually any software application (including Acid), as well as the BOSS BR-1180
- 2 Volumes, each with 16 performances (See Track Information)
- Long phrases for more dynamic, natural drum tracks
- Phrases can be spliced together or looped with no further editing required
- Whole kit crashes included to use as endings
- Compatible with any program that opens 16 bit WAV files: Pro Tools, Digital Performer, Cubase, Sonar, Logic Audio, Reason, Recycle, Live, Acid, Phrazer, BOSS BR-1180 CD & BR-1600CD, Roland CDX-1, VS-2480, VS-1824, Yamaha AW4416, Akai DPS 16 and more.
- Easy import into the BOSS BR-1180CD, BR-1600CD and the Roland CDX-1. (PDF) Using Rhythms from the Discrete Drums CD with your Boss BR-1180CD
Volume 1 contains 15 performances plus crash and burn endings. Volume 2 contains 16 performances. Each performance contains multiple sections such as - intros, fills, chorus, verse, bridge, endings, alternate beat, breakdowns, tom tom beat, sections played with brushes, even a few sections with the snares turned off. Naming conventions used here are for reference only. Intros can be used as fills, verses as choruses, etc. It's easy to build the track you want from the different song sections.
Series One Also Available in Apple Loop Format.
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MORE INFO:
 February 21, 2007 - Harmony Central's Discrete Drums Pro Sets Review
"I still reach for Discrete Drum's Series One sample CD collection when I need quick drums for a soundtrack; it's stood the test of time. The sound quality is excellent, the playing is dynamic and human, and the files are presented in multitrack format so it's easy to mutate the tracks as you want: Process just the snare, replace the kick, bring up the room mics, that sort of thing. As a result, even though it's a drum sample library, you can personalize it to a large degree. So much so, in fact, that I did a remix of it and played it for the Discrete Drum guys. I expected them to throw me across the room (We spent thousands of hours getting it to sound right, and you put it through distortion pedals!) but instead they said cool and put it out as a sample CD called "Turbulent Filth Monsters."
Read Craig Anderton's Review: Discrete Drums Pro Sets | Buy Discrete Drums - Series One | Buy Turbulent Filth Monsters
 March 1, 2002 - Electronic Musician Series One Review
"I love the concept of this library. The end result could potentially blow away other methods of achieving realistic-sounding drum tracks. The performances utilize session folks from Nashville, and the quality of the playing and engineering is very good overall. The drum sound is big and expansive and some creative editing makes for a great drum track. The ability to balance the ambient/dry sounds of the overhead and room mics and to experiment with different EQ, compression, and reverb settings on the snare is a luxury usually not available to those who use drum loops in their work."
Read Electronic Musician's "Discrete Drums Series One Review" |
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