To book a custom session with Seth:


Email Seth to check availability, discuss the details of your session and work out an actual session fee. The $250 base price is just a starting point. If you need more or less than the average session, your actual price will vary.


Press the "Add to cart" button above, and in the first checkout page, enter the agreed upon session fee into the price field and hit "recalculate".


After booking (and paying for) the session. you will receive FTP instructions. If you prefer to email files (MP3 only) you may do that as well. We recommend posting your files well before the session so Seth has a chance to go over everything thoroughly.


On the day of the session, you can enter a live chat room with Seth and stay in constant contact. Telephone communication may also be arranged, but chat can also really come in handy during the course of the session.


Soon after the end of the session, you will receive notification that your session files are ready for download. You will receive mono, stereo, and/or multitrack stems as appropriate, in the file format you've requested.

Revision requests will be accepted or rejected on a case-by-case basis. Accepted revisions may require an additional charge to be mutually determined by artist and client. Accepted revisions requested after 24 hours from original session may require a new session fee, to be mutually agreed upon by artist and client.

We reserve the right to refuse any project for any or no reason.

Although we will do all we can to make you happy, sometimes things just do not mesh, and a client will not be totally satisfied. While this is regrettable, we can not offer refunds under any circumstances. This is simply part of the nature of the recording business. Guarantees of satisfaction are neither stated nor implied.

You are buying the rights to use these performances in any way you like, without limit, and without any further payments on your part. We ask (but do not require) that you credit the musicians involved on any commercially released product.

Your music will be kept strictly confidential - no one will have access to it at any time other than the musicians you've hired to work on it.

Some live and studio credits:

James Brown, Paul McCartney, Aaron Neville, Brian McKnight, Jill Sobule, J.D Souther, Bobby Womack, Dr. John, Hall and Oates, Kenny Rogers, Carole King, Robert Waller, Jennifer Warnes, Rupert Holmes, Grace Pool, The Poppies, Little Isidore and The Inquisitors, Jonathan Edwards, Jennifer Rush, Ronnie Spector, Cher, Bonnie Tyler, Jimmy Barnes, Kurtis Blow, Rodney Dangerfield, yes... Rodney Dangerfield,The Manhattans, Tom Chapin, Judy Collins, Bette Midler, Carly Simon, Dion, Cissy Houston, Ben E. King, The Sweet Inspirations, South Side Johnny, Darlene Love, Little Anthony and the Imperials, Brother Jack MacDuff, Orleans, Laura Nyro, Bernadette Peters, Willie Nelson, Janis Ian, Johnny Rotten, Bo Diddely

Some gear:

Neve, API, Helios and Daking mic preamps, LA-2A, 1176, Daking compressors, ProTools HD, API and Pultec EQ, Radial JDV active DI, Custom passive DI with Jensen transformers, Westlake monitors, custom all-discrete console, Fender Jazz Bass, Fender Precision Bass, Custom fretless bass, Sadowski Jazz Bass, Fender 5-string bass. Some instruments have round-wound strings, some flat wound strings, and I sometimes use various mutes if the vibe is right. Fender, Marshall, Polytone, and custom amps, various microphones. Plugins I like for bass are Amp Farm, Oxford EQ, Bomb Factory LA-2A and 1176, Waves Renaissance Bass.